Being apart of the opening crew for Fantasmic! meant being apart of one of the biggest shows on property, having no fear of heights or of the water and enduring nearly four months of sleepless nights. Our rehearsals were from sun down to sun up and from what I was told, the guests in the Swan and Dolphin hotel were getting pretty miffed at hearing Maleficent (I never could remember how to spell her name) dieing evey night around two in the morning.
One of the first things the character performers had to learn was how to paddle a canoe for the Pocahantas scene. From our stand point, it was rather amusing watching them go round and round in circles. It became clear that none of these people had every been a Boy (or Girl)scout. The canoes were actualy gas powered, they just had to steer. Once thier trainers got them going in one direction, then came the fun of seeing bumper boats as they tried to pass each other in the begining of thier scene. What was even more fun was watching the Princess Barge's collide with each other or the wall and that was the entertainment techs driving them. Speaking of the barges, we had one sink due to a maintance error. . . . as in a maintainence men siphened water into the barge by accident. If I remember the story right, There was some work that had to be done to one section of the moat, so the mechanics siphened the water into the other sections. Except the huge siphen hose crept up the side of the barge and manage to completely fill it with water.
Have people fallen in the moat? Yes. At least one time, that I know of, it was intentional. In order to give the Rescue Boat training time and to answer the question "what would happen if a character falls in ?", Mickey took a walk one day. . . off the front of the stage. What we didn't know was that his shoes are made of an extremely bouyant material. He went in, his feet went up and his head went down. It became known at the 'Day we almost drowned Mickey'. But Never Fear, The Rescue Boat Was Near! I'm sure there has been more incidents of unintentional swimming since I have left the show, but one of the first times was when a tech took a dive. The canoe people are, when approaching the docks, supposed to put out thier oar and the tech pulls them into the dock. One night the character was a little impatient and tried to hurry it along. However, instead of the tech pulling the canoe in, they pulled the tech into the water. During the show the canoes stop on the sides of the stage and let thier passanger out. Whether or not the pocahontas indian makes it to the stage is based on how good the canoe driver is. Some times they fall in when they stop too far away from the platform.
A windy day at Fanstasmic! is always fun. For those who have seen the show, there is a huge purple and orange snake that comes out on stage. Each snake section looks like and inflatable pup tent. On more than one occasion, i have seen the wind blow a section into the moat. Then the techs have to go fishing for it. At one time costuming used a huge cloth bin to move costumes from point A to point B. This bin was later preset for the characters to throw their costumes in as they ran passed. The bin was set. We went to lunch. We came back to stage. It was gone. I looked over the edge and there it was, on the bottom of the moat. THe tech guys stood around and discussed how to get it out. One the tech girls came up with a grappling hook and helped us retreive it. (Score one for the girls!!). During a show, the wind can be brutal. The water screens soak everything and everyone. It may be my imagination, but I always felt like I was covered in a oily film after one of those nights. Heaven only knows what's in that water. Every so often a pair of ducks would find the moat. We'd always try to scare them off. I'm not really interested in seeking a three headed duck.
Fantasmic! is not a show for those afraid of heights. 66 steps to the top, and when you are carrying Mickey's Sorcerer costume to the top, it feels like 666. (no pun intended) In the middle of the mountian is a fairly good size deck, but it's all metal slat floors. You look down and see people running around below you. At the very top it's a pretty cool view of the park. . . and with more metal slat flooring, it's a good view of every one else two floors down.
Lighting in Florida summers is pretty much a given. We are the lighting capital of the Americas (I think one place in asia, Japan maybe, has more). Take my advice, If it's lighting and thunder immediately follows, don't remain in the Fantasmic! theater. You are surrounded my high voltage power lines for the stage lights. You are sitting on metal bleachers. Can we say "TOASTED" ? Not long after the show opened, we had one of those wonderful Florida thunderstorms and the show had to be cancelled. We alomst had a riot. The audience was yelling profanities and BOooing. I actually heard some brainiac scream "F*** Mickey". Except he used the uncensored version. Now, I understand that these people have been waiting for a long time . . . However, IT'S LIGHTING PEOPLE.
One last tip. FANTASMIC! is supposed to be spelled with the exclaimation mark. As the show was opening, we got word of some merchandise that was printed with out the exclaimations mark. Several of us stocked up on the misprint items. So if you see something written with out the '!' grab it, it could be worth something. . . in a hundred years or so.
Friday, July 11, 2008
Tuesday, July 1, 2008
Puppets, Puppeteers and the "Golden child"
First off, I have to admit that I really don't like puppet shows. There is just something about them that's strange and disturbing. Disney, seems to love puppet things. Working at shows like Bear and the Big Blue House (which later became Playhouse Disney) and Voyage of the Little Mermaid, I did manage to learn a few things about the craft along the way. First of all, if you are comfortable while you're working the puppet, you are probably doing it wrong. Most puppeteers have to be a bit of a contortionist to get the puppet seen by the audience while they are not seen.
At Playhouse Disney, the puppeteers are all scrunged up under the stage and spend a good chunk of thier time on thier knees. They slide from one side of the stage to the other on hard shell knee pads and old gerry-rigged office chairs. Bear and the Big Blue House was an eight week experiment that lasted several years. Story has it, that the Disney powers that be saw bear during a mall tour and wanted him at Disney. The Playhouse stage used to be the Soundstage Restaurant. Our very first breakroom was the old stainless steel serving station counters from the restaurant. We eventually found some blankets to sit on. Above the stage was the old Catwalk Bar. Decked out with odds and ends furniture and a big screen TV, we often invaded the space during our lunch breaks. In fact, for a while, the Bear and the Big Blue House television show came on a few minutes after our first ended, so we'd book it upstairs to the bar and watch the show. To recap, a cast of puppeteers were sitting at a bar watching a show for preschoolers. . . Only At Disney :)
Playhouse also had a host in front of the stage to engage the kids. Thier job was to get the kids up and dancing at the right time, settle them back down at the right time and to keep the little rug rats off the stage all the time. This job they have done quite well over the years. However, as with all best laid plans, there is the occasional slip up, or as we call them "The Golden Child". The Golden Child is the one individual who has made it passed all of the obstacles and managed to run up on stage. This is bad for several reasons. Bear can't see very well. There are numerous trap doors through which a child can fall through. And finally, but not the least of which, the show had large moving set pieces that can squish a child like a bug. On at least one occasion, a puppeteer opend the trap door and had a child fall into his lap. The performer then quickly shoves the child back up on stage and quickly locks the trap door. I can't help but wonder if, in that child's later years of life, he would have some vague frightening memory of seeing the dark underbelly of Walt Disney World. Who knows, maybe he now has a fear of creatures under the bed. I was walking back stage one day and a toddler's shoe came flying out from under the stage. I asked the stage manager if Bear had started eating the children and spitting out thier shoes.
To call Voyage of the Little Mermaid (VOLM) a puppet show would do it a great dis-service. it has one black light puppet number and Ursala. There are several puppeteers on stage during the "Under the Sea" number and it can be quiet amusing when the performers train wreck and you see all of the neon puppet fish pile up on each other. When the show first started, a dresser would walk out on stage during Ariel's transformation into a human and take her sea shell bra. (the curtain was down). I was always afraid of falling off the stage or getting ran over by Ursala, so I'd find Prince Eric and stick close to him as several of us would go out on stage. Why Prince Eric ? Because I could see him. He wears a white shirt that glows in the black light. On one occasion (this happened to another dresser), Ariel's hair got tangled up in the bra strap. The curtain was about to back up, in a panic, the dresser shoves the shell bra in the back of Ariel's dress and runs off stage. Ariel finishes the show looking like Quasimodo.
VOLM incorporates lasers, black lights and numerous other special effects. Not the least of which is a water curtain to symbolize going under water. Once, when one of the dressers was leaving the show, the cast wanted to tell her good bye, so the darlings taped her to a chair, set it under the water curtian and left her there. When others leave shows there are similar going away surprises as well, like being thrown in the mote when you leave Fantasmic or being covered in baby powder when you move from an area.
On that note, I'll sign off until next.
p.s. don't for get to keep checking back for new stories to come.
At Playhouse Disney, the puppeteers are all scrunged up under the stage and spend a good chunk of thier time on thier knees. They slide from one side of the stage to the other on hard shell knee pads and old gerry-rigged office chairs. Bear and the Big Blue House was an eight week experiment that lasted several years. Story has it, that the Disney powers that be saw bear during a mall tour and wanted him at Disney. The Playhouse stage used to be the Soundstage Restaurant. Our very first breakroom was the old stainless steel serving station counters from the restaurant. We eventually found some blankets to sit on. Above the stage was the old Catwalk Bar. Decked out with odds and ends furniture and a big screen TV, we often invaded the space during our lunch breaks. In fact, for a while, the Bear and the Big Blue House television show came on a few minutes after our first ended, so we'd book it upstairs to the bar and watch the show. To recap, a cast of puppeteers were sitting at a bar watching a show for preschoolers. . . Only At Disney :)
Playhouse also had a host in front of the stage to engage the kids. Thier job was to get the kids up and dancing at the right time, settle them back down at the right time and to keep the little rug rats off the stage all the time. This job they have done quite well over the years. However, as with all best laid plans, there is the occasional slip up, or as we call them "The Golden Child". The Golden Child is the one individual who has made it passed all of the obstacles and managed to run up on stage. This is bad for several reasons. Bear can't see very well. There are numerous trap doors through which a child can fall through. And finally, but not the least of which, the show had large moving set pieces that can squish a child like a bug. On at least one occasion, a puppeteer opend the trap door and had a child fall into his lap. The performer then quickly shoves the child back up on stage and quickly locks the trap door. I can't help but wonder if, in that child's later years of life, he would have some vague frightening memory of seeing the dark underbelly of Walt Disney World. Who knows, maybe he now has a fear of creatures under the bed. I was walking back stage one day and a toddler's shoe came flying out from under the stage. I asked the stage manager if Bear had started eating the children and spitting out thier shoes.
To call Voyage of the Little Mermaid (VOLM) a puppet show would do it a great dis-service. it has one black light puppet number and Ursala. There are several puppeteers on stage during the "Under the Sea" number and it can be quiet amusing when the performers train wreck and you see all of the neon puppet fish pile up on each other. When the show first started, a dresser would walk out on stage during Ariel's transformation into a human and take her sea shell bra. (the curtain was down). I was always afraid of falling off the stage or getting ran over by Ursala, so I'd find Prince Eric and stick close to him as several of us would go out on stage. Why Prince Eric ? Because I could see him. He wears a white shirt that glows in the black light. On one occasion (this happened to another dresser), Ariel's hair got tangled up in the bra strap. The curtain was about to back up, in a panic, the dresser shoves the shell bra in the back of Ariel's dress and runs off stage. Ariel finishes the show looking like Quasimodo.
VOLM incorporates lasers, black lights and numerous other special effects. Not the least of which is a water curtain to symbolize going under water. Once, when one of the dressers was leaving the show, the cast wanted to tell her good bye, so the darlings taped her to a chair, set it under the water curtian and left her there. When others leave shows there are similar going away surprises as well, like being thrown in the mote when you leave Fantasmic or being covered in baby powder when you move from an area.
On that note, I'll sign off until next.
p.s. don't for get to keep checking back for new stories to come.
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